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Tony Williams
Background information
Birth name	Anthony Tillmon Williams
Born	(1945-12-12)December 12, 1945 Chicago, Illinois, U.S.
Origin	Boston, Massachusetts, U.S.
Died	February 23, 1997(1997-02-23) (aged 51) Daly City, California, U.S.
Genres	Jazz, post-bop, jazz fusion
Occupation(s)	Musician, composer, producer and bandleader
Instruments	Drums
Years active	1961–1997
Associated acts	Miles Davis, The Tony Williams Lifetime, Sam Rivers, Jackie McLean, Alan Dawson, V.S.O.P., Public Image Ltd.

Anthony Tillmon "Tony" Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer.

Williams first gained fame in the band of trumpeter Miles Davis and was a pioneer of jazz fusion.^[1] He was inducted into the Modern Drummer Hall of Fame in 1986.^[2]

Life and career

Tony Williams in Half Moon Bay, California, 1986.

Williams was born in Chicago and grew up in Boston. He was of African, Portuguese, and Chinese descent.^[3] He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16.^{[citation needed]}

At 17 Williams gained attention by joining Miles Davis in what was later dubbed Davis's Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography "the center that the group's sound revolved around."^[4] His playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation, moving between mathematically related tempos and/or time signatures.^{[citation needed]} Meanwhile, he recorded his first two albums as leader for Blue Note label, Life Time (1964) and Spring (1965). He also recorded as a sideman for the label including, in 1964, Out to Lunch! with Eric Dolphy and Point of Departure with Andrew Hill.

In 1969, he formed a trio, the Tony Williams Lifetime, with John McLaughlin on guitar and Larry Young on organ. Lifetime was a pioneering band of the fusion movement, a combination of rock, R&B, and jazz.^{[citation needed]}

Their first album was Emergency!. After the departures of McLaughlin and bassist Jack Bruce, who had joined the group for its second album, and several more releases, Lifetime disbanded. In 1975, Williams put together a band he called "The New Tony Williams Lifetime", featuring bassist Tony Newton, pianist Alan Pasqua, and English guitarist Allan Holdsworth, which recorded two albums for Columbia Records, Believe It and Million Dollar Legs.^{[citation needed]}

In mid-1976, Williams was a part of a reunion with his colleagues from the Miles Davis band: keyboardist Herbie Hancock, bassist Ron Carter, and saxophonist Wayne Shorter. Davis was in the midst of a six-year hiatus and was "replaced" by Freddie Hubbard. The record was later released as V.S.O.P. The group toured and for several years and a series of live albums were released under the name "V.S.O.P." or "V.S.O.P.: The Quintet".^{[citation needed]}

In 1979, Williams, McLaughlin and bassist Jaco Pastorius united for a one-time performance at the Havana Jazz Festival. This trio came to be known as the Trio of Doom, and a recording of their performance (along with some studio tracks recorded in New York shortly thereafter) was released in 2007. It opens with a powerful drum improvisation by Williams, followed by McLaughlin's "Dark Prince" and Pastorius' "Continuum", Williams' original composition "Para Oriente" and McLaughlin's "Are You the One?" Williams and Pastorius had also played together on the Herbie Hancock track "Good Question" from his 1978 album Sunlight. With the group Fuse One, Williams released two albums in 1980 and 1982.^[5]

In 1985, he returned to Blue Note and the result was a series of recordings for the label beginning with Foreign Intrigue, which featured the playing of pianist Mulgrew Miller and trumpeter Wallace Roney. Later that year he formed a quintet with Miller, Roney, saxophonist Bill Pierce, and bassist Charnett Moffett (later Ira Coleman). This band played Williams' compositions almost exclusively. Williams also played drums for the band Public Image Limited, fronted by John Lydon (a.k.a. Johnny Rotten of the Sex Pistols), on their release Album/Cassette/Compact Disc (1986, the album title varied depending on the format).^{[citation needed]} He played on the songs "FFF", "Rise" (a modest hit), and "Home". Bass guitarist Bill Laswell co-wrote those three songs with Lydon. The other drummer on that album was Ginger Baker.^{[citation needed]}

Personal life

Williams lived and taught in the San Francisco Bay Area until his death from a heart attack following routine gall bladder surgery.^[6][7] One of his final recordings was The Last Wave by the trio known as Arcana, a release organized by Bill Laswell.^[8]

Discography

As leader

• 1964: Life Time (Blue Note)


• 1965: Spring (Blue Note)


• 1969: Emergency! (Verve)


• 1970: Turn It Over (Verve)


• 1971: Ego (Polydor)


• 1972: The Old Bum's Rush (Polydor)


• 1975: Believe It (Columbia)


• 1976: Million Dollar Legs (Columbia) - also released as The Collection (Columbia) with Believe It as one CD [1992]


• 1976: Live at The Village Gate（(Hi Hat) [2017]


• 1978: Live Tokyo 1978（(Hi Hat) [2018]


• 1979: The Joy of Flying (Columbia)


• 1980: Play or Die (P.S. Productions) – with Tom Grant and Patrick O'Hearn^[9]
  


• 1985: Foreign Intrigue (Blue Note)


• 1986: Civilization (Blue Note)


• 1988: Angel Street (Blue Note)


• 1989: Native Heart (Blue Note)


• 1991: The Story of Neptune (Blue Note) [1992]


• 1992: Tokyo Live (Blue Note) [1993] - as two CD


• 1995: Wilderness (Ark 21) [1996]


• 1996: Young at Heart (Columbia)

As The Great Jazz Trio

• 
  I'm Old Fashioned (East Wind, 1976) with Sadao Watanabe
  


• 
  Love for Sale (East Wind, 1976)


• 
  The Great Jazz Trio at the Village Vanguard (East Wind, 1977)


• 
  The Great Jazz Trio at the Village Vanguard Vol. 2 (East Wind, 1977)


• 
  The Great Jazz Trio at the Village Vanguard Again (East Wind, 1977 [2000])


• 
  Kindness Joy Love & Happiness (East Wind, 1977)


• 
  Bird of Paradise (Flying Disk, 1977)


• 
  Milestones (East Wind, 1978)


• 
  New Wine in Old Bottles (East Wind, 1978) with Jackie McLean
  


• 
  Direct from L.A. (East Wind, 1978)


• 
  The Great Tokyo Meeting (East Wind, 1978)

As Trio of Doom

• 
  Trio of Doom (Columbia Legacy, 1979) - with Jaco Pastorius and John McLaughlin
  

As Arcana

• 
  The Last Wave (DIW, 1995)


• 
  Arc of the Testimony (Axiom/Island, 1997)

As sideman

With Geri Allen

• 
  Twenty One (Blue Note, 1994)

With Chet Baker

• 
  You Can't Go Home Again (Horizon, 1977)


• 
  The Best Thing for You (A&M, 1977 [1989])


• 
  Chet Baker / Wolfgang Lackerschmid (Sandra Music Productions, 1979) with Wolfgang Lackerschmid
  

With George Cables

• 
  Phantom of the City (Contemporary, 1985)

With Ron Carter

• 
  Third Plane (Milestone, 1978)


• 
  1 + 3 (JVC, 1978)


• 
  Carnaval (Galaxy, 1978)


• 
  Parade (Milestone, 1979)


• 
  Etudes (Elektra/Musician, 1982)

With Stanley Clarke

• 
  Stanley Clarke (Nemperor, 1974)

With Miles Davis

• 
  Seven Steps to Heaven (Columbia, 1963)


• 
  Miles Davis in Europe (Columbia, 1963)


• 
  Four & More (Columbia, 1964)


• 
  My Funny Valentine (Columbia, 1964)


• 
  Miles in Tokyo (CBS/Sony, 1964 [1969])


• 
  Miles in Berlin (CBS, 1964)


• 
  E.S.P. (Columbia, 1965)


• 
  The Complete Live at the Plugged Nickel 1965 (Columbia Legacy, 1965 [1995])


• 
  Miles Smiles (Columbia, 1966)


• 
  Directions (Columbia, 1967-68 [1981])


• 
  Sorcerer (Columbia, 1967)


• 
  Nefertiti (Columbia, 1967)


• 
  Water Babies (Columbia, 1967-68 [1976])


• 
  Circle in the Round (Columbia, 1967-68 [1979])


• 
  Miles in the Sky (Columbia, 1968)


• 
  Miles Davis & Gil Evans: The Complete Columbia Studio Recordings – four takes of "Falling Water" (Columbia Legacy, 1968 [1996])


• 
  Filles de Kilimanjaro (Columbia, 1968)


• 
  In a Silent Way (Columbia, 1969)


• 
  Live in Europe 1967: The Bootleg Series Vol. 1 (Columbia Legacy, 2012)


• 
  Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia Legacy, 2015)

With Eric Dolphy

• 
  Out to Lunch (Blue Note, 1964)

With Kenny Dorham

• 
  Una Mas (Blue Note, 1963)

With Gil Evans

• 
  There Comes a Time (RCA, 1975)

With Tommy Flanagan

• 
  The Master Trio (Baybridge, 1983)


• 
  Blues in the Closet (Baybridge, 1983)

With Hal Galper

• 
  Now Hear This (Enja, 1977)

With Stan Getz

• 
  Captain Marvel (Columbia, 1972)

With Dexter Gordon

• 
  Round Midnight (soundtrack) (Columbia, 1986)


• 
  The Other Side of Round Midnight (Blue Note, 1986)

With Herbie Hancock

• 
  My Point of View (Blue Note, 1963)


• 
  Empyrean Isles (Blue Note, 1964)


• 
  Maiden Voyage (Blue Note, 1965)


• 
  V.S.O.P. (Columbia, 1976)


• 
  V.S.O.P.: The Quintet (Columbia, 1977)


• 
  V.S.O.P.: Tempest in the Colosseum (Columbia, 1977)


• 
  Herbie Hancock Trio (CBS/Sony, 1977)


• 
  Sunlight (Columbia, 1978)


• 
  V.S.O.P.: Live Under the Sky (Columbia, 1979)


• 
  Mr. Hands (Columbia, 1980)


• 
  Herbie Hancock Trio (Columbia, 1982)


• 
  Quartet (CBS/Sony, 1982)


• 
  Town Hall Concert (Blue Note, 1985)


• 
  Future2Future (Transparent Music, 2001)

With Herbie Hancock, Wayne Shorter, Ron Carter and Wallace Roney

• 
  A Tribute to Miles (Qwest/Reprise, 1992)

With Jonas Hellborg and the Soldier String Quartet

• 
  The Word (1991)

With Joe Henderson

• 
  Relaxin' at Camarillo (Contemporary, 1979)

With Andrew Hill

• 
  Point of Departure (Blue Note, 1964)

With Terumasa Hino

• 
  May Dance (Flying Disk, 1977)

With Allan Holdsworth

• 
  Atavachron – track 5 (Enigma, 1986)

With Charles Lloyd

• 
  Of Course, Of Course (Columbia, 1965)

With Michael Mantler

• 
  Movies (1977)

With Ray Manzarek

• 
  The Golden Scarab (Mercury, 1973)

With Branford Marsalis

• 
  Renaissance (Columbia, 1987)

With Wynton Marsalis

• 
  Wynton Marsalis (Columbia, 1981)

With John McLaughlin

• 
  Electric Guitarist (Columbia, 1978)

With Jackie McLean

• 
  Vertigo (Blue Note, 1963)


• 
  One Step Beyond (Blue Note, 1963)

With Marcus Miller

• 
  The Sun Don't Lie (1990–92)

With Mulgrew Miller

• 
  The Countdown (Landmark, 1988)

With Grachan Moncur III

• 
  Evolution (Blue Note, 1963)


• 
  Some Other Stuff (Blue Note, 1964)

With Michel Petrucciani

• 
  Marvellous (Dreyfus, 1994)

With Pop Workshop

• 
  Song For The Pterodactyl (1974)

With Public Image Limited

• 
  Album (Virgin, 1985)

With Don Pullen

• 
  New Beginnings (Blue Note, 1988)

With Sam Rivers

• 
  Fuchsia Swing Song (Blue Note, 1964)

With Sonny Rollins

• 
  Easy Living (Milestone, 1977)


• 
  Don't Stop the Carnival (Milestone, 1978)


• 
  No Problem (Milestone, 1981)

With Wallace Roney

• 
  Verses (Muse, 1987)

With Travis Shook

• 
  Travis Shook (1993)

With Wayne Shorter

• 
  The Soothsayer (Blue Note, 1965)

With McCoy Tyner

• 
  Supertrios (Milestone, 1977)


• 
  Counterpoints (Milestone, 1978 [2004])

With Weather Report

• 
  Mr. Gone (Columbia, 1978)

Bibliography

• 
  Colin_Larkin (ed.) (1992) The Guinness Encyclopedia of Popular Music, 1st ed., pg. 2699; .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
  ISBN 1-882267-04-4 .


• Thom Holmes (2006) American Popular Music: Jazz, pg. 216;
  ISBN 0-8160-6928-X
  

References